Sydney Camera Hire’s RED KOMODO X features ground breaking new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform. Featuring a next generation global shutter RED’s KOMODO X features a completely overhauled sensor with exciting new pixel design delivering improvements in detail and colour in shadows.
RED KOMODO X’s expanded I/O includes updated monitoring capabilities with support for DSMC3 touch LCD, built-in USB type-c, as well newly engineered audio hardware, including a locking +48V audio connector with improved preamp.
Providing cinematographers with the ability to capture 6K at 80fps, Sydney Camera Hire’s KOMODO X can shoot 120fps in 4k thanks to the new sensor design and processing, as well as having support for CF Express cards.
Production ready, Sydney Camera Hire’s Komodo X continues the small form factor legacy but now with more advance I/O options, allowing for more professional monitoring, cabling and power as well as expanded capabilities like RED connect.
The Sony FX6 is a full-frame digital cinema camera with 15+ stops of dynamic range and includes Sony’s S-Cinetone gamma for filmlike skin tones. Featuring up to 10-bit, 4:2:2 XAVC-I recording, the Sony FX6 is ideal a brilliant tool for for documentary production, music videos, gimbal, and heavy lift drone shoots.
The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for highly sensitive capture. This in a range of settings using a base ISO of 800 and a high-sensitivity ISO 12800 mode for nuanced low-light scenes.
Featuring advanced controls with RGBLAC capability, Sydney Camera Hire’s Evoke 900C RGB LED Spot Light by Nanlux is a powerful yet compact fixture with an impressive colour temperature range and beam spread of 60°. Its variable 1800 to 20,000K CCT allows you to use it on interiors, exteriors, and mixed lighting environments.
The Evoke 900C is dimmable from 0 to 100% in ultra-precise increments of just 0.1%. Besides incorporating lime, amber, and cyan LEDs, the light offers high CRI/TLCI ratings of 96 as your assurance of accuracy in colour rendering.
The Nanlux Evoke 900C is a 940W from Sydney Camera Hire is a perfect solution for studio productions because it can be plugged into a standard AC outlet. However, it can also run on an optional DC battery source when mains current is unavailable. This kit comes with a yoke, a 45° reflector, and a super clamp. A trolley carry case is supplied as well for easy portability, making it a complete lighting solution.
One of the many benefits is a library of 15 special effects, including HUE loop, CCT loop, INT loop, flash, pulse, storm, police car, TV, paparazzi, candle/fire, disco, bad bulb, fireworks, explosion, and welding.
With a robust construction and a practical design, this 13 x 9.5 x 8.3″ fixture is rated IP55 for weather resistance, so you can use it outdoors or in wet weather.
An undeniable game changer from Red Digital Cinema, the The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera that is not a lot larger than the KOMODO with a new 8K sensor. The V-RAPTOR’s RF lens mount is compatible with a range of adapters, allowing cinematographers to shoot with PL and EF lenses.
Equipped with 17+ stops of dynamic range, dual 12G-SDI outputs, and 16-bit REDCODE Raw at much higher frame rates than the DSMC cameras, means the Red Digital Cinema V-Raptor 8K VV can tackle any production you throw at it.
Featuring a new 35.4MP full-frame sensor 17+ stops of dynamic range, the RED Raptor excels in low-light and has the lowest noise floor of any cinema camera in the RED lineup.
When it comes to high speed shooting, the RAPTOR is in a class of its own and is capable of 8K 17:9 at 120fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps and 2K 2.4:1 up to 600 fps.
The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity. Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.
With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.
Interchangeable Shock Modules can be set up as 8,or 4 modules. These modules come in three strengths: light, standard and heavy duty.
These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.
Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.
Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.
Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2
Ideal for use overhead or to raise the ambient illumination level, the Nanlite Lantern 120 Softbox combines the omnidirectional light quality of “China Balls” with the durability and portability of a modern softbox.
Utilizing a 47″ spherical design, the Nanlite Lantern 120 has a broad 270° beam angle, allowing film makers to spread light in all directions and fill your set with soft, even light.
The Nanlite Lantern Softbox from Sydney Camera Hire includes a light control skirt set, which can be quickly attached to control the 270° beam spread and can also be rolled up or down to flag off unwanted light.
The Lantern 120 features an Easy- Up speed ring with spring-loaded rod locks. Quickly snap the rods into place to set up the lantern and then release them at the touch of a button for break down.
Created to be compatible with Nanlite’s Forza Series LEDs, the Lantern 120 utilizes a Bowens Style Speed Ring. This near-universal light modifier mount expands compatibility to an extensive range of LED, strobe, and constant lights.