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    • Most versatile professional 3-axis stabilization system
    • Monocoque carbon fiber frame design
    • High torque motors supporting cameras up to 30 lbs
    • Fine tune balancing for precision control
    • Self-heating hot-swappable batteries
    • On-board power for camera and accessories
    • Integrated camera controls
    • Built-in GPS & compatible with DJI A3 Flight Controller
  • Sydney Camera Hire’s DJI Ronin RS3 is the update to the popular DJI Ronin RS2. It features a higher payload limit, improved handling and a raft of new accessories reach out to Sydney Camera Hire to rent the DJI Ronin RS3.

    The DJI RS3 Pro Gimbal Stabiliser is sleeker and more powerful than the Ronin RS2 and weighs only 1.5kg. Capable of working with payloads up to 4.5 kg the RS3 can support and stabilise cameras like the RED Komodo-X, Sony FX6 or Canon C70.

  • Sydney Camera Hire’s DZOFilm Catta Ace zoom lens bundle includes the full frame 35-80 and 70-135mm zoom lenses.  Both DZOFilm Catta Ace zooms feature versatile focal lengths and accurate colour reproduction.  Each zoom lens covers a full frame sensor to accomodate the latest full frame cameras.

    The DZOFilm Catta Ace zooms feature a par focal design ensure focus remains accurate throughout the zoom range.  Each zoom features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and a long 29.1″ close focus range.

    Featuring a light weight design the lenses are perfect when working with gimbals and other accessories.  Both Catta Ace zooms come with PL, EF and LPL mounts.

  • The Fujinon MK18-55mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

    The lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera’s with a Sony E mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.

    * T2.9 to T22 aperture with 9 iris blades for attractive bokeh.
    * The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio.
    * Industry standard 0.8 film pitch gears for focus, zoom, and iris control.
    * The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don’t have to adjust the position of lens accessories.
    * Both lenses in the MK series have the same weight and length so here is no need to rebalance your camera when you change from one lens to the other.
    * 200° focus barrel rotation
    * No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
    * Macro focus function available
  • Sydney Camera Hire’s Fujinon MK50-135mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

    The lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera’s with a Sony E mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.

    * T2.9 to T22 aperture with 9 iris blades for attractive bokeh
    * The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio
    * Industry standard 0.8 film pitch gears for focus, zoom, and iris control
    * The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don’t have to adjust the position of lens accessories
    * Both lenses in the MK series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
    * 200° focus barrel rotation
    * No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
    * Macro focus function available
  • Sydney Camera Hire’s Fujinon MK18-55 & MK50-135 lens kit includes two lightweight, T2.9 zoom lenses for E-mount cameras with a Super-35mm-sized sensor. The lenses feature independent focus, iris, and zoom rings, approximately 200° of focus rotation, 0.8 MOD cine-style gears, a clickless iris, and a macro mode. They are colour matched to one-another as well as to other Fujinon lenses, such as the HK, ZK, and XK series.

  • Sydney Camera Hire’s Fujinon XK20-120mm T3.5 Cabrio Premier Lens is the lens only and does not include the servo zoom unit, which you can source separately. It is a wide-to-telephoto zoom lens for Super 35mm cameras and features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 Mod gears, which provides an interface for the optional ENG-style digital drive unit.

    The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera; however, you need the optional digital drive unit to activate these contacts. An included rectangular lens hood provides flare protection and is useful for run-and-gun or ENG-style shooting. A removable lens support is included with the lens.

    • T3.5 to T22 aperture with nine iris blades for attractive bokeh.
    • Industry-standard 0.8 film Mod gears for focus, zoom, and iris control.
    • Power and data/control connections to the camera via connectors in the rear of the lens.
    • 16-bit encoding supports sharing LDS and /i Technology lens data with the camera.
    • The barrel markings are imperial measurements.
    • Luminous barrel markings make it easier to read measurements.
    • 200° focus barrel rotation and 120° zoom rotation.
    • No shims are required to adjust the flange focal distance.
    • Macro focus function available.
  • The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity.  Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.

    With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.

    Interchangeable Shock Modules can be set up as 8,or 4 modules.  These modules come in three strengths: light, standard and heavy duty.

    These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.

    Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.

    Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.

    Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.


Showing 49–64 of 110 results