Sydney Camera Hire

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  • Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.

    Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

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Top Rated

  • Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.

    Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.

  • Sydney Camera Hire’s Blackmagic Studio 4K Pro camera is regarded as the world’s most advanced self contained studio camera. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturised into a single compact and portable design.

    With digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control!

    While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7″ viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you’re constantly changing locations and doing different kinds of work.

    In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.

    Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it’s easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it’s on air. SDI tally eliminates complex wiring so job setup is faster.

    Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera 4K Pro model is designed for broadcast workflows so has 12G‑SDI, 10GBASE‑T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection, so setup is much faster! That’s just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable.

Best Sellers

  • Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.

    Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

  • Sydney Camera Hire’s Skater Dolly is the most sophisticated camera mounting platform available today. It is a rugged and portable dolly solution for filmmakers wanting a small footprint on set without sacrificing stability or safety.

    The Skater Dolly is all about being on the go weighing only 15 kg, it is easy to carry and quick to setup. It is light enough for one person to handle and just easy enough to manoeuvre on the fly. It is constructed of high-grade aluminium for a more robust yet lightweight build; and supports loads of up to 70 kg.

    Sydney Camera Hire’s Skater Dolly comes with 1.5″ speed rail/track, which can be configured into variable lengths of 4ft & 8ft. Compatible speed rail and end truss allows mounting the Dolly on Baby Feet, Long Legs, 5/8″ Pins, Tripod, C-Stand, Light Stand and various grip alternatives in seconds, allowing users to start filming in no time.  The camera can be inverted for underslung tracking shots on 4ft track length.

    The Dolly’s top mount may be quickly changed between 75mm, 100mm, 150mm Bowl or Mitchell Mount configurations to accommodate nearly any camera head type.  1/4″ -20 & 3/8″ -16 threaded holes on the rugged camera platform accommodates all industry-standard connections.

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