Sydney Camera Hire

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LATEST PRODUCTS

  • Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.

    Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

Featured

Top Rated

    • Most versatile professional 3-axis stabilization system
    • Monocoque carbon fiber frame design
    • High torque motors supporting cameras up to 30 lbs
    • Fine tune balancing for precision control
    • Self-heating hot-swappable batteries
    • On-board power for camera and accessories
    • Integrated camera controls
    • Built-in GPS & compatible with DJI A3 Flight Controller
  • Sydney Camera Hire’s Aputure Light Dome 150’s expansive 5 foot (150cm) transforms Bowens Mount point-source lights into a massive soft source, elegantly illuminating large spaces.

    Like other members of the Light Dome family, the Light Dome 150 includes two diffusion options (1.5 & 2.5 Stop), allowing you to adjust the density and quality of your soft light.

    Using Aputure’s pioneered quick-release setup design, the Light Dome 150 remains one of fastest modifiers on the market and can be assembled in seconds.
    Following the Light Dome II, the Light Dome 150 utilises a 32-sided design, resulting in one of the most perfectly round modifiers on the market, allowing for completely circular reflections.
    The entire Light Dome lineup utilizes the most common lighting accessory mount in the world: the Bowens Mount. And the Light Dome 150 is no exception, allowing it to be used in conjunction with any Bowens Mount fixture including Aputure’s Light Storm product line, and works especially well with the output power of the LS 600 series.
  • Sydney Camera Hire’s DJI Ronin RS3 is the update to the popular DJI Ronin RS2. It features a higher payload limit, improved handling and a raft of new accessories reach out to Sydney Camera Hire to rent the DJI Ronin RS3.

    The DJI RS3 Pro Gimbal Stabiliser is sleeker and more powerful than the Ronin RS2 and weighs only 1.5kg. Capable of working with payloads up to 4.5 kg the RS3 can support and stabilise cameras like the RED Komodo-X, Sony FX6 or Canon C70.

Best Sellers

  • The Fujinon MK18-55mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

    The lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera’s with a Sony E mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.

    * T2.9 to T22 aperture with 9 iris blades for attractive bokeh.
    * The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio.
    * Industry standard 0.8 film pitch gears for focus, zoom, and iris control.
    * The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don’t have to adjust the position of lens accessories.
    * Both lenses in the MK series have the same weight and length so here is no need to rebalance your camera when you change from one lens to the other.
    * 200° focus barrel rotation
    * No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
    * Macro focus function available
  • Incredible Illumination Output

    With a rated power of only 2400W, Sydney Camera Hire’s Nanlux Evoke 2400B delivers outstanding efficiency as an LED, resulting in powerful light output beyond
    the 4KW HMI or 10KW Tungsten.

    Compared to traditional light sources, Sydney Camera Hire’s Evoke 2400B’s distinct advantages include no preheating or cool-down time delay, flicker-free,
    0.0%-100.0% dimming and adjustable color temperature allowing
    for greater flexibility, making lighting setups easier and more efficient.
    Making changes during shooting sessions is now effortless and time-saving.

    Magnesium + IP55 = Lightweight & Rugged

    The Nanlux Evoke 2400B from Sydney Camera Hire continues to employ the rugged and durable metal construction design of the Evoke family, with IP55 rating for both
    lamp head and power supply. Magnesium alloy is innovatively utilised on the Evoke 2400B for a ideal strength-to-weight ratio, together with structural optimisations, enabling it to be a lighter fixture body than other lights that with the same power output.

On Sale