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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
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The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
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Sydney Camera Hire’s Skater Dolly is the most sophisticated camera mounting platform available today. It is a rugged and portable dolly solution for filmmakers wanting a small footprint on set without sacrificing stability or safety.
The Skater Dolly is all about being on the go weighing only 15 kg, it is easy to carry and quick to setup. It is light enough for one person to handle and just easy enough to manoeuvre on the fly. It is constructed of high-grade aluminium for a more robust yet lightweight build; and supports loads of up to 70 kg.
Sydney Camera Hire’s Skater Dolly comes with 1.5″ speed rail/track, which can be configured into variable lengths of 4ft & 8ft. Compatible speed rail and end truss allows mounting the Dolly on Baby Feet, Long Legs, 5/8″ Pins, Tripod, C-Stand, Light Stand and various grip alternatives in seconds, allowing users to start filming in no time. The camera can be inverted for underslung tracking shots on 4ft track length.
The Dolly’s top mount may be quickly changed between 75mm, 100mm, 150mm Bowl or Mitchell Mount configurations to accommodate nearly any camera head type. 1/4″ -20 & 3/8″ -16 threaded holes on the rugged camera platform accommodates all industry-standard connections.
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The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity. Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.
With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.
Interchangeable Shock Modules can be set up as 8,or 4 modules. These modules come in three strengths: light, standard and heavy duty.
These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.
Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.
Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.
Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2
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Best Sellers
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Sydney Camera Hire’s Canon FD prime lenses are some of the most desirable and sorted after lenses currently available. These lenses are very similar is character, personality, and sharpness to the famed Canon K35 prime lenses, but the Canon FD lenses offer 330 degree focus throw and superior sharpness at the wide aperture settings. OOF highlights and bokeh are extremely pleasing, while offering an outstanding sharpness throughout the frame. The Canon VINTAGE-FD lenses help digital sensors achieve character and a “look” that is flattering to flesh tones and OOF objects.
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Sydney Camera Hire is excited to hire the RED Komodo 6K. Weighing only 900 grams and fitting in the palm of your hand, the RED Komodo comes with a Canon RF Lens mount, 19.9MP Super35 CMOS Global Shutter sensor and 16+ stops of dynamic range.
Featuring a game changing rolling shutter, Sydney Camera Hire’s RED Komodo can record 6K at 40 fps, 5K at 48 fps, 4K at 60 fps and 2K at 120 fps in Redcode RAW. Using CFast 2.0 media, the RED Komodo provides data rates up to 280 MB/s.
The RED Komodo’s RF-style mount has a shallow flange depth allows the camera to be adapted to most other popular mount types such as PL, EF, and Leica M with some mounts offering ND filtration.
A first for Red is the ability to use Phase-Detect Autofocus with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter.
When it comes with ports and connections, The RED Komodo features an integrated stereo microphones and a 3.5mm input for audio. Also, an EXT port provides Genlock, timecode, GPIO and RS232. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2.
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Sydney Camera Hire’s Nanlite Para 150 quick-open soft box creates even lighting with a wrap-around quality and natural-looking catchlights. Its 43″ depth produces a focused light with increased directional control, minimal spill light, and significant falloff.
The Quick-Open design makes the Nanlite Para 150 soft box from Sydney Camera Hire much easier to set up and breakdown compared to traditional softboxes that require the assembly of rods and speed rings. Nanlite provides both a 1-stop and a 2-stop front diffuser to enable even more adjustment of light quality. Also, using neither diffuser turns the Para 150 into a large reflector outputting high contrast light.
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Building upon the same design as the classic Aputure Lantern, the Sydney Camera Hire’s Aputure Lantern 90 pairs the same quick-build system with an even larger surface area to provide an even softer volumetric lighting solution. At 90cm, the Lantern 90 has the same diameter as Aputure’s Light Dome II modifier, with even more diffused surface area, allowing the Lantern to instantly light up large spaces.
