Sydney Camera Hire


Showing 1–16 of 19 results

  • Sydney Camera Hire’s Blackmagic Studio 4K Pro camera is regarded as the world’s most advanced self contained studio camera. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturised into a single compact and portable design.

    With digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control!

    While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7″ viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you’re constantly changing locations and doing different kinds of work.

    In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.

    Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it’s easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it’s on air. SDI tally eliminates complex wiring so job setup is faster.

    Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera 4K Pro model is designed for broadcast workflows so has 12G‑SDI, 10GBASE‑T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection, so setup is much faster! That’s just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable.

  • Sydney Camera Hire’s 20″ Master C-Stand with Sliding Leg Kit (black) is a steel lighting support “C” stand composed of two legs that are spring loaded to open in fixed positions while the third leg is height adjustable by loosening the knob and sliding it up and down the main riser section. This enables the user to raise one leg higher than the other legs to level out the stand on uneven terrain or even stairs. The Kupo 20″ Master C-Stand rises to a maximum height of 198cm.

    Also included in the kit is one Grip Arm (either black or silver) and one 2.5″ Grip Head, again either black or silver as determined by the kit ordered.

  • An undeniable game changer from Red Digital Cinema, the The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera that is not a lot larger than the KOMODO with a new 8K sensor. The V-RAPTOR’s RF lens mount is compatible with a range of adapters, allowing cinematographers to shoot  with PL and EF lenses.

    Equipped with 17+ stops of dynamic range,  dual 12G-SDI outputs, and 16-bit REDCODE Raw at much higher frame rates than the DSMC cameras, means the Red Digital Cinema V-Raptor 8K VV can tackle any production you throw at it.

    Featuring a new 35.4MP full-frame sensor 17+ stops of dynamic range, the RED Raptor excels in low-light and has the lowest noise floor of any cinema camera in the RED lineup.
    When it comes to high speed shooting, the RAPTOR is in a class of its own and is capable of 8K 17:9 at 120fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps and 2K 2.4:1 up to  600 fps.
  • The RED DSMC2 DRAGON-X features the award-winning RED DRAGON sensor, with IPP2, delivering 6K cinematic images in a Super 35 format.  Featuring 19.4 Megapixels CMOS sensor, the RED DRAGON-X sensor produces softer skins tones, stunning primary colours with improved noise control and low-light performance, which allows for the ISO to be pushed to 2000 ISO while still produce super footage for the big screen.


  • Sydney Camera Hire is excited to hire the RED Komodo 6K.  Weighing only 900 grams and fitting in the palm of your hand, the RED Komodo comes with a Canon RF Lens mount, 19.9MP Super35 CMOS Global Shutter sensor and 16+ stops of dynamic range.

    Featuring a game changing rolling shutter, Sydney Camera Hire’s RED Komodo can record 6K at 40 fps, 5K at 48 fps, 4K at 60 fps and 2K at 120 fps in Redcode RAW.  Using CFast 2.0 media, the RED Komodo provides data rates up to 280 MB/s.

    The RED Komodo’s RF-style mount has a shallow flange depth allows the camera to be adapted to most other popular mount types such as PL, EF, and Leica M with some mounts offering ND filtration.

    A first for Red is the ability to use Phase-Detect Autofocus with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter.

    When it comes with ports and connections, The RED Komodo features an integrated stereo microphones and a 3.5mm input for audio. Also, an EXT port provides Genlock, timecode, GPIO and RS232. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2.

  • Sydney Camera Hire’s RED KOMODO X features ground breaking new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform.  Featuring a next generation global shutter RED’s KOMODO X features a completely overhauled sensor with exciting new pixel design delivering improvements in detail and colour in shadows.

    RED KOMODO X’s expanded I/O includes updated monitoring capabilities with support for DSMC3 touch LCD, built-in USB type-c, as well newly engineered audio hardware, including a locking +48V audio connector with improved preamp.


    Providing cinematographers with the ability to capture 6K at 80fps, Sydney Camera Hire’s KOMODO X can shoot 120fps in 4k thanks to the new sensor design and processing, as well as having support for CF Express cards.

    Production ready, Sydney Camera Hire’s Komodo X continues the small form factor legacy but now with more advance I/O options, allowing for more professional monitoring, cabling and power as well as expanded capabilities like RED connect.


Showing 1–16 of 19 results