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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
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The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
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The Sony FX3 full frame cinema camera hire is an absolute game changer, which features a newly designed hand-holdable body with a streamlined and minimal profile. The Sony FX3’s 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to enable UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output.
The FX3’s sensor’s has heightened clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stops of dynamic range, making it an incredible camera for low light conditions.
Featuring a ‘S-Cinetone’ mode the Sony FX3 can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for HDR productions. The sensor and processor in the Sony FX3 greatly reduce the rolling shutter effect, while the sensor’s design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.
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Sydney Camera Hire’s rickshaw dolly is lightweight and portable, and is designed for use with 3-axis Camera Gimbal, Handheld, and Steadicam setups. It enables the camera operator to be pushed/pulled by a grip to capture complicated shots.
The hydraulic twin shock absorbers used on both sides of Rickshaw reduce shocks and provide stabilised shots, making it suitable for smooth or rough surfaces. The seat configuration allows you to have a long follow on the flat surface and then transition on to an uneven surface by stopping and having the operator walk away from the Rickshaw all in one continuous shoot.
The seated position also allows the operator to position the camera to reach floor level for ultra-low shots. The hydraulic seat offers 360-degree movement, height adjustment and four back & forth positions on the platform.
The main wheels feature 3 height adjustment points for adjusting ground clearance at 5” or 6” or 7” that allows the user to adapt the height corresponding to the rough and bumpy roads.
Telescopic Handle with length range from 32”- 54” allows ease of handling to the operator. The platform has 10mm threaded holes and free holes for mounting cheese plate or other accessories. The rickshaw supports 42mm speed rails to install a shock absorber arm with 3-Axis Gimbal.
You can also remove the seat, and mount a 50mm scaffold pole to the platform, to mount compatible gear.
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Industry workhorses, Sydney Camera Hire’s Sennheiser EW 100-ENG G4 lapel microphone kits are rugged and reliable broadcast quality sound solutions. which provide highest flexibility for your video sound and field recording applications.
A robust wireless microphone system that offers excellent sound quality, simple mounting and ease of use.
Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy to use clip-on microphone ME 2-II (omni-directional) offers excellent speech intelligibility during interviews.
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