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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
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The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
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Sydney Camera Hire’s 10′ jib with dual-rail design offers enhanced strength & stability for creating sweeping cinematic movements, expanding your creative flexibility. Ease of packing and a quick no-tool setup system maximizes its versatility. This travel-friendly Jib extends backward as per operator convenience for better control.
The robust camera mount confidently accepts 75mm/100mm fluid heads. The Jib is designed to mount a camera of practically any size, weighing up to 25kg / 55lb. The jib adapts can be operated with Ronin/Movi Gimbals using separately available compatible adapters.
This travel-friendly Jib telescopes from the backside, which helps in the balancing of Jib. You can adjust the arm length from 6 feet to 10 feet. The ability to change the length allows you to use the Crane in various scenarios.
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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
Best Sellers
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- Most versatile professional 3-axis stabilization system
- Monocoque carbon fiber frame design
- High torque motors supporting cameras up to 30 lbs
- Fine tune balancing for precision control
- Self-heating hot-swappable batteries
- On-board power for camera and accessories
- Integrated camera controls
- Built-in GPS & compatible with DJI A3 Flight Controller
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The Aputure Light Storm LS300X LED Light Kit from Sydney Camera Hire is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites. The brilliant light can be dimmed from a potent main light to a subtle, nuanced fill light, flicker free across the dimming range.The Controller Box attached to the LS300X head with a 9.8-foot head extension cable, so adjusting settings is effortless regardless of where the light is set. The self-regulating , multi-voltage controller also operates using single or dual Gold mount batteries, suitable for lighting in remote locations.
With the Fresnel 2X, the LS 300x can produce over 56,000 lux at 1 meter, creating a stunningly bright light, with CCT control always at your fingertips. By having the ability to use lensed modifiers like the Fresnel 2X or the Spotlight Mount, in addition to soft light modifiers like the Light Dome II, you can achieve extreme lighting precision to match any shooting environment. Spot, flood, cut, or diffuse your light without worrying about unwanted artifacts while controlling your white point.
Combining the latest optical color-blending technology with Aputure’s dual-color LED chipset provides an unprecedented flexibility from a single LED fixture. A specially-designed color-blending optical element in front of the chipset combines the LED output into a single cohesive point light source. The highly-efficient light output renders at CRI 95, TLCI 98, plus higher than industry standard SS1 85, and D55-SSI 74 ratings. This level of efficiency means colors and skin tones will be reproduced with an extremely-high degree of accuracy.
Intuitive local controls and a bright LCD display on the Controller Box allow precise and repeatable setups locally. In addition, the output may be controlled using the included 2.4 GHz wireless remote, or the light may be integrated into a DMX network via the 5-pin XLR in/out ports. Also, thanks to Aputure’s integrated Sidus Mesh network chipset, all the 300X’s functions may be controlled by the Sidus Link app, free to download for iOS and Android portable devices. The app also allows saving presets, adjusting/triggering lighting effects, luminance, and CCT, as well as installation of firmware updates, all from your smartphone or tablet.
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Sydney Camera Hire’s Nanlite PavoTube II RGBWW Tubes x 2 light kit are the next evolution of Nanlite’s signature light fixtures. These second-gen LED Tubes have been refined based on feedback from creators around the globe with features including pixel-based special effects, brighter output, more uniform diffusion, robust metal housings, DMX compatibility, and enhanced app control.
Sydney Camera Hire’s Nanlite PavoTube II RGBWW Tubes x 2 light kit have expanded and more precise colour temperature range from 2700K-12000K with green to magenta adjustment, an average CRI of 97, an average TLCI of 98, plus full-spectrum RGB hue and saturation control, the PavoTube II 60X 8′ RGBWW LED Pixel Tube packs studio-quality lighting into a hardy, portable package.
Nanlite drew on the feedback from PavoTube owners across the world to evolve their LED Tube design. Enhancements include brighter output from a larger illumination area with more uniform diffusion, an upgraded control panel with locking buttons, DMX compatibility, and enhanced app control.
Powered by an internal 8800mAh Li-ion battery, the Sydney Camera Hire’s PavoTube II 60X can run for 1 hour and 57 minutes at full brightness completely untethered. Battery recharge is achieved with the included AC adapter, which can also keep the PavoTube II 60X powered on during longer shoots.
In addition to fifteen adjustable practical special effects, PavoTube II 60X features ten new pixel-based effects expanding the creative possibilities further than ever before. Pixel-based effects include Hue Loop, CCT Loop, INT Loop, Multi-color, Gradient, Scrolling, Marching, Flame, Rainbow, and Driving. Practical effects include Hue Loop, CCT Loop, INT Loop, CCT Flash, HUE Flash, CCT Pulse, Hue Pulse, Storm, Police Car, TV, Paparazzi, Candle/Fire, Disco, Bad Bulb, Firework, Explosion, and Welding.
The PavoTube II 60X’s upgraded metal housing makes worrying about an accidental drop or risky light placements a thing of the past. Plus, three incorporated ¼-20″ receivers greatly expand mounting options.
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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
