Sydney Camera Hire

Grip

Showing 17–26 of 26 results


  • The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity.  Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.

    With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.

    Interchangeable Shock Modules can be set up as 8,or 4 modules.  These modules come in three strengths: light, standard and heavy duty.

    These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.

    Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.

    Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.

    Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

  • Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.

    Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.

  • Sydney Camera Hire’s rickshaw dolly is lightweight and portable, and is designed for use with 3-axis Camera Gimbal, Handheld, and Steadicam setups. It enables the camera operator to be pushed/pulled by a grip to capture complicated shots.

    The hydraulic twin shock absorbers used on both sides of Rickshaw reduce shocks and provide stabilised shots, making it suitable for smooth or rough surfaces.  The seat configuration allows you to have a long follow on the flat surface and then transition on to an uneven surface by stopping and having the operator walk away from the Rickshaw all in one continuous shoot.

    The seated position also allows the operator to position the camera to reach floor level for ultra-low shots. The hydraulic seat offers 360-degree movement, height adjustment and four back & forth positions on the platform.

    The main wheels feature 3 height adjustment points for adjusting ground clearance at 5” or 6” or 7” that allows the user to adapt the height corresponding to the rough and bumpy roads.

    Telescopic Handle with length range from 32”- 54” allows ease of handling to the operator. The platform has 10mm threaded holes and free holes for mounting cheese plate or other accessories. The rickshaw supports 42mm speed rails to install a shock absorber arm with 3-Axis Gimbal.

    You can also remove the seat, and mount a 50mm scaffold pole to the platform, to mount compatible gear.

  • Sydney Camera Hire’s Skater Dolly is the most sophisticated camera mounting platform available today. It is a rugged and portable dolly solution for filmmakers wanting a small footprint on set without sacrificing stability or safety.

    The Skater Dolly is all about being on the go weighing only 15 kg, it is easy to carry and quick to setup. It is light enough for one person to handle and just easy enough to manoeuvre on the fly. It is constructed of high-grade aluminium for a more robust yet lightweight build; and supports loads of up to 70 kg.

    Sydney Camera Hire’s Skater Dolly comes with 1.5″ speed rail/track, which can be configured into variable lengths of 4ft & 8ft. Compatible speed rail and end truss allows mounting the Dolly on Baby Feet, Long Legs, 5/8″ Pins, Tripod, C-Stand, Light Stand and various grip alternatives in seconds, allowing users to start filming in no time.  The camera can be inverted for underslung tracking shots on 4ft track length.

    The Dolly’s top mount may be quickly changed between 75mm, 100mm, 150mm Bowl or Mitchell Mount configurations to accommodate nearly any camera head type.  1/4″ -20 & 3/8″ -16 threaded holes on the rugged camera platform accommodates all industry-standard connections.


Showing 17–26 of 26 results