An undeniable game changer from Red Digital Cinema, the The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera that is not a lot larger than the KOMODO with a new 8K sensor. The V-RAPTOR’s RF lens mount is compatible with a range of adapters, allowing cinematographers to shoot with PL and EF lenses.
Equipped with 17+ stops of dynamic range, dual 12G-SDI outputs, and 16-bit REDCODE Raw at much higher frame rates than the DSMC cameras, means the Red Digital Cinema V-Raptor 8K VV can tackle any production you throw at it.
Featuring a new 35.4MP full-frame sensor 17+ stops of dynamic range, the RED Raptor excels in low-light and has the lowest noise floor of any cinema camera in the RED lineup.
When it comes to high speed shooting, the RAPTOR is in a class of its own and is capable of 8K 17:9 at 120fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps and 2K 2.4:1 up to 600 fps.
The RED DSMC2 DRAGON-X features the award-winning RED DRAGON sensor, with IPP2, delivering 6K cinematic images in a Super 35 format. Featuring 19.4 Megapixels CMOS sensor, the RED DRAGON-X sensor produces softer skins tones, stunning primary colours with improved noise control and low-light performance, which allows for the ISO to be pushed to 2000 ISO while still produce super footage for the big screen.
Sydney Camera Hire is excited to hire the RED Komodo 6K. Weighing only 900 grams and fitting in the palm of your hand, the RED Komodo comes with a Canon RF Lens mount, 19.9MP Super35 CMOS Global Shutter sensor and 16+ stops of dynamic range.
Featuring a game changing rolling shutter, Sydney Camera Hire’s RED Komodo can record 6K at 40 fps, 5K at 48 fps, 4K at 60 fps and 2K at 120 fps in Redcode RAW. Using CFast 2.0 media, the RED Komodo provides data rates up to 280 MB/s.
The RED Komodo’s RF-style mount has a shallow flange depth allows the camera to be adapted to most other popular mount types such as PL, EF, and Leica M with some mounts offering ND filtration.
A first for Red is the ability to use Phase-Detect Autofocus with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter.
When it comes with ports and connections, The RED Komodo features an integrated stereo microphones and a 3.5mm input for audio. Also, an EXT port provides Genlock, timecode, GPIO and RS232. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2.
Sydney Camera Hire’s RED KOMODO X features ground breaking new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform. Featuring a next generation global shutter RED’s KOMODO X features a completely overhauled sensor with exciting new pixel design delivering improvements in detail and colour in shadows.
RED KOMODO X’s expanded I/O includes updated monitoring capabilities with support for DSMC3 touch LCD, built-in USB type-c, as well newly engineered audio hardware, including a locking +48V audio connector with improved preamp.
Providing cinematographers with the ability to capture 6K at 80fps, Sydney Camera Hire’s KOMODO X can shoot 120fps in 4k thanks to the new sensor design and processing, as well as having support for CF Express cards.
Production ready, Sydney Camera Hire’s Komodo X continues the small form factor legacy but now with more advance I/O options, allowing for more professional monitoring, cabling and power as well as expanded capabilities like RED connect.