Sydney Camera Hire’s DJI Ronin RS3 is the update to the popular DJI Ronin RS2. It features a higher payload limit, improved handling and a raft of new accessories reach out to Sydney Camera Hire to rent the DJI Ronin RS3.
The DJI RS3 Pro Gimbal Stabiliser is sleeker and more powerful than the Ronin RS2 and weighs only 1.5kg. Capable of working with payloads up to 4.5 kg the RS3 can support and stabilise cameras like the RED Komodo-X, Sony FX6 or Canon C70.
All equipment is available for delivery Australia-wide or pick-up from Fox Studios Australia, Moore Park.
When enquiring please let us know your delivery details and we'll provide relevant pricing when quoting. Pick-up is free.
Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
Sydney Camera Hire’s Skater Dolly is the most sophisticated camera mounting platform available today. It is a rugged and portable dolly solution for filmmakers wanting a small footprint on set without sacrificing stability or safety.
The Skater Dolly is all about being on the go weighing only 15 kg, it is easy to carry and quick to setup. It is light enough for one person to handle and just easy enough to manoeuvre on the fly. It is constructed of high-grade aluminium for a more robust yet lightweight build; and supports loads of up to 70 kg.
Sydney Camera Hire’s Skater Dolly comes with 1.5″ speed rail/track, which can be configured into variable lengths of 4ft & 8ft. Compatible speed rail and end truss allows mounting the Dolly on Baby Feet, Long Legs, 5/8″ Pins, Tripod, C-Stand, Light Stand and various grip alternatives in seconds, allowing users to start filming in no time. The camera can be inverted for underslung tracking shots on 4ft track length.
The Dolly’s top mount may be quickly changed between 75mm, 100mm, 150mm Bowl or Mitchell Mount configurations to accommodate nearly any camera head type. 1/4″ -20 & 3/8″ -16 threaded holes on the rugged camera platform accommodates all industry-standard connections.
