Sydney Camera Hire

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  • Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.

    Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

Featured

Top Rated

  • Sydney Camera Hire’s Aputure LS 600x Pro boasts an expanded bi-color range of 2700K~6500K while still being able maintain an impressive output. Equipped with its native Hyper-Reflector, the 600x Pro can output 5,610 lux at 3 meters (10 feet). With the F10 Fresnel modifier, the combination can reach an illuminance of 18,5100 lux at 3 meters in 15° spot.

    Similar to the LS 300x, the 600x Pro utilizes Aputure-designed color-blending optics that combines its bi-color chipset into a single cohesive light source, allowing it to be used with optical lens modifiers such as the F10 Fresnel and Spotlight Mount.

    The LS 600x Pro joins the Light Storm Pro series, featuring a weather-resistant design in a Bowens Mount fixture. Using waterproof fans, sealed internal structures, rubber caps for all ports, and weatherproof connectors, the LS 600x Pro can withstand challenging inclement weather environments.

    The LS 600x Pro can utilize 9 different built-in light effects: “Paparazzi”, “Fireworks”, “Lightning”, “Faulty Bulb”, “TV”, “Pulsing”, “Strobe”, “Explosion”, & “Fire”. The 600x Pro is also compatible with the SidusPro FX ecosystem.

  • Featuring advanced controls with RGBLAC capability, Sydney Camera Hire’s Evoke 900C RGB LED Spot Light by Nanlux is a powerful yet compact fixture with an impressive colour temperature range and beam spread of 60°. Its variable 1800 to 20,000K CCT allows you to use it on interiors, exteriors, and mixed lighting environments.

    The Evoke 900C is dimmable from 0 to 100% in ultra-precise increments of just 0.1%. Besides incorporating lime, amber, and cyan LEDs, the light offers high CRI/TLCI ratings of 96 as your assurance of accuracy in colour rendering.

    The Nanlux Evoke 900C is a 940W from Sydney Camera Hire is a perfect solution for studio productions because it can be plugged into a standard AC outlet.  However, it can also run on an optional DC battery source when mains current is unavailable. This kit comes with a yoke, a 45° reflector, and a super clamp. A trolley carry case is supplied as well for easy portability, making it a complete lighting solution.

    One of the many benefits is a library of 15 special effects, including HUE loop, CCT loop, INT loop, flash, pulse, storm, police car, TV, paparazzi, candle/fire, disco, bad bulb, fireworks, explosion, and welding.

    With a robust construction and a practical design, this 13 x 9.5 x 8.3″ fixture is rated IP55 for weather resistance, so you can use it outdoors or in wet weather.

Best Sellers

  • Sydney Camera Hire’s Fujinon XK20-120mm T3.5 Cabrio Premier Lens is the lens only and does not include the servo zoom unit, which you can source separately. It is a wide-to-telephoto zoom lens for Super 35mm cameras and features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 Mod gears, which provides an interface for the optional ENG-style digital drive unit.

    The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera; however, you need the optional digital drive unit to activate these contacts. An included rectangular lens hood provides flare protection and is useful for run-and-gun or ENG-style shooting. A removable lens support is included with the lens.

    • T3.5 to T22 aperture with nine iris blades for attractive bokeh.
    • Industry-standard 0.8 film Mod gears for focus, zoom, and iris control.
    • Power and data/control connections to the camera via connectors in the rear of the lens.
    • 16-bit encoding supports sharing LDS and /i Technology lens data with the camera.
    • The barrel markings are imperial measurements.
    • Luminous barrel markings make it easier to read measurements.
    • 200° focus barrel rotation and 120° zoom rotation.
    • No shims are required to adjust the flange focal distance.
    • Macro focus function available.
  • A rare set of lenses, Sydney Camera Hire’s Minolta Rokkor vintage, super speed lens set ooze personality.

    Known for their distinctive contrast and sharpness, their flaws give them a very unique cinematic character.  With a beautiful creamy bokeh and gorgeous transitions, which blend smoothly into backgrounds, these lenses have a classic tone, that draws you into the subject.

    For cinematographers looking to create visuals, which instantly have a classic legacy look and feel on full frame sensors, Sydney Camera Hire’s Minolta Rokkor vintage super speed lens set are an absolute must.

     

  • Sydney Camera Hire’s Nalux Evoke 1200B adopts 2 x 1200W LED chips in dot matrix form as its light source, providing a impeccable beam in the same category.

    The Evoke 1200B is renowned for its remarkable light efficiency, outputting up to 18,570 lux@3m 5600K with 45° reflector, beating 1.8K HMI Par or 2.5K fresnel with the ability of changing CCT in a twist. The Evoke 1200B also has an impressive flicker-free function making it the perfect companion for high speed cinematography.

    With advanced Bi-Color light mixing technologies ensures Sydney Camera Hire’s Nanlux Evoke 1200B has continuity and accuracy in CCT change from 2700K all the way up to 6500K. The CCT adjustment is easily made at the turn of a knob, making CTO/CTB gels a thing of the past. The Nanlux Evoke 1200B also offers way more flexibility in filmmaking by simulating natural light from sunrise to daylight to sunset. Furthermore, the incorporated constant output functionality supports through range CCT tuning without any intensity shift at all.

    The Evoke 1200B’s whole-fixture is IP54 rated in a hermetically sealed structure to withstand inclement weather or extreme conditions, no matter it’s rain, snow or dust. The protection for power supply is enhanced to the same rating for more practicality, meaning the whole unit can stand side by side as long as the camera could work, rainforest, snowberg or even in sandstorm.

    Dimming is fine-tuned from 0-100% in 0.1% increment with great smoothness, and the sudden jump in low output section between 0-1% is eliminated. Five dimming curves available via DMX control to perfectly match exacting control request of industry standard: LINEAR, EXPONENT, LOGARITHM, S CURVE, GAMMA 2.2.

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