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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
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The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
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Sydney Camera Hire’s Fujinon MK50-135mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.
The lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera’s with a Sony E mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.
* T2.9 to T22 aperture with 9 iris blades for attractive bokeh* The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio* Industry standard 0.8 film pitch gears for focus, zoom, and iris control* The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don’t have to adjust the position of lens accessories* Both lenses in the MK series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other* 200° focus barrel rotation* No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism* Macro focus function available -
Sydney Camera Hire’s Nanlite Fabric Grid for Para 150 Softbox mounts to the front of the softbox to minimise light spill and add directionality by tightening the beam angle to 60 degrees.
The Nanlite Fabric Grid is great for selectivly lighting subjects without loosing the soft quality of light produced by the softbox. Attaches easily and swiftly via touch fasteners and folds down flat for storage and transport.
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Sydney Camera Hire’s Nanlite Pavotube II 30X Tube light kit will let your creativity run wild. The new model of Pavo tubes now encompass pixel control, giving creatives endless ways to light. Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from 2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs.
It also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice. Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity.
With easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation.
The housing has been upgraded to a robust metal housing, giving more confidence with your lighting. New and improved LED display and soft buttons make the unit much easier to use.
Supplied in hard carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall.
Sydney Camera Hire’s Pavotube’s have octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.
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