Sydney Camera Hire’s Nanlite Fabric Grid for Para 150 Softbox mounts to the front of the softbox to minimise light spill and add directionality by tightening the beam angle to 60 degrees.
The Nanlite Fabric Grid is great for selectivly lighting subjects without loosing the soft quality of light produced by the softbox. Attaches easily and swiftly via touch fasteners and folds down flat for storage and transport.
Building upon the same design as the classic Aputure Lantern, the Sydney Camera Hire’s Aputure Lantern 90 pairs the same quick-build system with an even larger surface area to provide an even softer volumetric lighting solution. At 90cm, the Lantern 90 has the same diameter as Aputure’s Light Dome II modifier, with even more diffused surface area, allowing the Lantern to instantly light up large spaces.
Sydney Camera Hire’s Nanlite Pavotube II 30X Tube light kit will let your creativity run wild. The new model of Pavo tubes now encompass pixel control, giving creatives endless ways to light. Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from 2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs.
It also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice. Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity.
With easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation.
The housing has been upgraded to a robust metal housing, giving more confidence with your lighting. New and improved LED display and soft buttons make the unit much easier to use.
Supplied in hard carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall.
Sydney Camera Hire’s Pavotube’s have octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.
Ideal for use overhead or to raise the ambient illumination level, the Nanlite Lantern 120 Softbox combines the omnidirectional light quality of “China Balls” with the durability and portability of a modern softbox.
Utilizing a 47″ spherical design, the Nanlite Lantern 120 has a broad 270° beam angle, allowing film makers to spread light in all directions and fill your set with soft, even light.
The Nanlite Lantern Softbox from Sydney Camera Hire includes a light control skirt set, which can be quickly attached to control the 270° beam spread and can also be rolled up or down to flag off unwanted light.
The Lantern 120 features an Easy- Up speed ring with spring-loaded rod locks. Quickly snap the rods into place to set up the lantern and then release them at the touch of a button for break down.
Created to be compatible with Nanlite’s Forza Series LEDs, the Lantern 120 utilizes a Bowens Style Speed Ring. This near-universal light modifier mount expands compatibility to an extensive range of LED, strobe, and constant lights.
Sydney Camera Hire’s Nanlite Para 150 quick-open soft box creates even lighting with a wrap-around quality and natural-looking catchlights. Its 43″ depth produces a focused light with increased directional control, minimal spill light, and significant falloff.
The Quick-Open design makes the Nanlite Para 150 soft box from Sydney Camera Hire much easier to set up and breakdown compared to traditional softboxes that require the assembly of rods and speed rings. Nanlite provides both a 1-stop and a 2-stop front diffuser to enable even more adjustment of light quality. Also, using neither diffuser turns the Para 150 into a large reflector outputting high contrast light.
