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Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.
Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.
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The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.
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Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
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Freefly Movi Pro
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LS 1200D PRO SPECIFICATIONS
CCT 5600K CRI ≥96 TLCI ≥98 CQS ≥95 SSI (D56) ≥73 TM-30 RF (Average) 93 TM-30 RG (Average) 102 Beam Angle (No Accessories) 66° Beam Angle BM1215 Bowens Mount Hyper Reflector (Narrow) 15° Beam Angle BM1230 Bowens Mount Hyper Reflector (Medium) 30° Beam Angle BM1245 Bowens Mount Hyper Reflector (Wide) 45° F10 Fresnel 15° ~ 45° Lumens 126,413 lm Max Power Output ≤1,200W Max Power Consumption ≤1,440W Max Operating Current 15A Max Operating Voltage (Power Supply) 100V~240V, 50Hz/60Hz Operatin g Voltage (Battery) 3-Pin XLR (48V DC) – Half Output (720W / One Input) Regulated 48V/15A Operatin g Voltage (Battery) 3-Pin XLR (48V DC) – Full Output (1,440W / Two Inputs) 2x Regulated 48V/15A DC Input 2x 48V 3-Pin XLR DC Inputs (720W Each) Operating Temperature -20°C ~ 45°C / -4°F ~ 113°F Dimming 0-100%; Linear, Exponential, Logarithmic, S-Curve Control Methods On-board, Sidus Link App, DMX512, Art-net & sACN via etherCON, LumenRadio CRMX Wireless Operating Range (Bluetooth) ≤80m Wireless Operating Range (LumenRadio) ≤100m Screen Type LCD Firmware Upgradeable USB (FAT16/FAT32), Sidus Link Cooling Method Active Cooling Head Cable LS 1200 Series 7-Pin Weatherproof Head Cable (7.5m) Max Head Cable Length 7.5m Power Cable Neutrik® powerCON TRUE1 TOP AC Cable for LS 1200 Series (6m)* Accessory Mount Bowens Mount Tilt Angle 360° Mounting 28mm / 1.125in (Junior Pin) Carrying Case Telescoping Handle, Wheels Estimated LED Lifetime (L70) 50,000H Est. Color Shift Over Lifetime (CCT) 2% (6,000H) Est. Max Flicker-Free FPS 2,000 FPS Certifications CE, FCC, ROHS, KC, NCC, PSE, BIS -
Sydney Camera Hire’s RED KOMODO X features ground breaking new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform. Featuring a next generation global shutter RED’s KOMODO X features a completely overhauled sensor with exciting new pixel design delivering improvements in detail and colour in shadows.
RED KOMODO X’s expanded I/O includes updated monitoring capabilities with support for DSMC3 touch LCD, built-in USB type-c, as well newly engineered audio hardware, including a locking +48V audio connector with improved preamp.
Providing cinematographers with the ability to capture 6K at 80fps, Sydney Camera Hire’s KOMODO X can shoot 120fps in 4k thanks to the new sensor design and processing, as well as having support for CF Express cards.
Production ready, Sydney Camera Hire’s Komodo X continues the small form factor legacy but now with more advance I/O options, allowing for more professional monitoring, cabling and power as well as expanded capabilities like RED connect.
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The RED DSMC2 DRAGON-X features the award-winning RED DRAGON sensor, with IPP2, delivering 6K cinematic images in a Super 35 format. Featuring 19.4 Megapixels CMOS sensor, the RED DRAGON-X sensor produces softer skins tones, stunning primary colours with improved noise control and low-light performance, which allows for the ISO to be pushed to 2000 ISO while still produce super footage for the big screen.
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The Aputure F10 Fresnel Attachment for LS 600d LED Light from Sydney Camera Hire allows smooth focusing of the light’s beam spread from a tight 15° to a 45° medium flood. The Fresnel’s design has built-in ventilation to prevent overheating while thwarting spill light.
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An undeniable game changer from Red Digital Cinema, the The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera that is not a lot larger than the KOMODO with a new 8K sensor. The V-RAPTOR’s RF lens mount is compatible with a range of adapters, allowing cinematographers to shoot with PL and EF lenses.
Equipped with 17+ stops of dynamic range, dual 12G-SDI outputs, and 16-bit REDCODE Raw at much higher frame rates than the DSMC cameras, means the Red Digital Cinema V-Raptor 8K VV can tackle any production you throw at it.
Featuring a new 35.4MP full-frame sensor 17+ stops of dynamic range, the RED Raptor excels in low-light and has the lowest noise floor of any cinema camera in the RED lineup.When it comes to high speed shooting, the RAPTOR is in a class of its own and is capable of 8K 17:9 at 120fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps and 2K 2.4:1 up to 600 fps.
