Sydney Camera Hire’s Aputure fresnel 2x lens features dual optical intensifying elements, a large 5.5” front Fresnel lens, improved ventilation, and the elimination of light leaks, making this the ultimate Bowens Mount Fresnel.
The rear lens focuses and magnifies the beam onto the larger 5.5” front Fresnel lens, maximizing light utilisation. Our dual lens optical design makes the Fresnel 2X twice as powerful as the original Aputure Fresnel, and makes the 120d II almost 10 times brighter than with the reflector.
Ideal for use overhead or to raise the ambient illumination level, the Nanlite Lantern 120 Softbox combines the omnidirectional light quality of “China Balls” with the durability and portability of a modern softbox.
Utilizing a 47″ spherical design, the Nanlite Lantern 120 has a broad 270° beam angle, allowing film makers to spread light in all directions and fill your set with soft, even light.
The Nanlite Lantern Softbox from Sydney Camera Hire includes a light control skirt set, which can be quickly attached to control the 270° beam spread and can also be rolled up or down to flag off unwanted light.
The Lantern 120 features an Easy- Up speed ring with spring-loaded rod locks. Quickly snap the rods into place to set up the lantern and then release them at the touch of a button for break down.
Created to be compatible with Nanlite’s Forza Series LEDs, the Lantern 120 utilizes a Bowens Style Speed Ring. This near-universal light modifier mount expands compatibility to an extensive range of LED, strobe, and constant lights.
Sydney Camera Hire’s Nanlite Pavotube II 30X Tube light kit will let your creativity run wild. The new model of Pavo tubes now encompass pixel control, giving creatives endless ways to light. Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from 2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs.
It also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice. Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity.
With easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation.
The housing has been upgraded to a robust metal housing, giving more confidence with your lighting. New and improved LED display and soft buttons make the unit much easier to use.
Supplied in hard carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall.
Sydney Camera Hire’s Pavotube’s have octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.
The NANLUX Dyno 650C from Sydney Camera Hire is a RGBWW LED softlight that brings film makers the ultimate blend of output and control.
Powerful and soft, with an ultra-wide beam angle, the super strong Dyno 650C some of the brightest LED softlights available, which are becoming hugely popular on American film and television sets.
Developed specifically for movie, TV,broadcast and media applications, these latest additions to the NANLUX range of professional LED solutions provide you with complete control and exceptional levels of consistent, quality light.
Fully tuneable between 2700K and 20000K (2649lux/5596lux@3m 5600K) the Dyno Series offers the one of the highest outputand widest colour temperature of any comparable LED softlight currently available. Using state of the art software and hardware, the Dyno 650C from Sydney Camera Hire provides precise colour and flicker-free, stable output.
Sydney Camera Hire’s Dyno 650C provides a correlated colour temperature range between 2700K and 20000K. Precision control over green/magenta to achieve accurate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sources.
The Dyno Series has a choice of four colour modes: HSI, RGBW, Gel and XY allowing film makers to to precisely control the mixing of hue, saturation and intensity, plus individual RGBW control over red, green, blue and white. Selection is simple using the built-in LED screen for reference.
Choose from 15 pre-programmed practical effects, all fully customizable and featuring a convenient ‘save and playback’ function.
ate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sourc
Sydney Camera Hire’s Nalux Evoke 1200B adopts 2 x 1200W LED chips in dot matrix form as its light source, providing a impeccable beam in the same category.
The Evoke 1200B is renowned for its remarkable light efficiency, outputting up to 18,570 lux@3m 5600K with 45° reflector, beating 1.8K HMI Par or 2.5K fresnel with the ability of changing CCT in a twist. The Evoke 1200B also has an impressive flicker-free function making it the perfect companion for high speed cinematography.
With advanced Bi-Color light mixing technologies ensures Sydney Camera Hire’s Nanlux Evoke 1200B has continuity and accuracy in CCT change from 2700K all the way up to 6500K. The CCT adjustment is easily made at the turn of a knob, making CTO/CTB gels a thing of the past. The Nanlux Evoke 1200B also offers way more flexibility in filmmaking by simulating natural light from sunrise to daylight to sunset. Furthermore, the incorporated constant output functionality supports through range CCT tuning without any intensity shift at all.
The Evoke 1200B’s whole-fixture is IP54 rated in a hermetically sealed structure to withstand inclement weather or extreme conditions, no matter it’s rain, snow or dust. The protection for power supply is enhanced to the same rating for more practicality, meaning the whole unit can stand side by side as long as the camera could work, rainforest, snowberg or even in sandstorm.
Dimming is fine-tuned from 0-100% in 0.1% increment with great smoothness, and the sudden jump in low output section between 0-1% is eliminated. Five dimming curves available via DMX control to perfectly match exacting control request of industry standard: LINEAR, EXPONENT, LOGARITHM, S CURVE, GAMMA 2.2.