Sydney Camera Hire

Lighting Hire Sydney

Showing 1–16 of 18 results


  • The Aputure F10 Fresnel Attachment for LS 600d LED Light from Sydney Camera Hire allows smooth focusing of the light’s beam spread from a tight 15° to a 45° medium flood. The Fresnel’s design has built-in ventilation to prevent overheating while thwarting spill light.

  • Sydney Camera Hire’s Aputure fresnel 2x lens features dual optical intensifying elements, a large 5.5” front Fresnel lens, improved ventilation, and the elimination of light leaks, making this the ultimate Bowens Mount Fresnel.

    The rear lens focuses and magnifies the beam onto the larger 5.5” front Fresnel lens, maximizing light utilisation. Our dual lens optical design makes the Fresnel 2X twice as powerful as the original Aputure Fresnel, and makes the 120d II almost 10 times brighter than with the reflector.

  • Sydney Camera Hire’s 20″ Master C-Stand with Sliding Leg Kit (black) is a steel lighting support “C” stand composed of two legs that are spring loaded to open in fixed positions while the third leg is height adjustable by loosening the knob and sliding it up and down the main riser section. This enables the user to raise one leg higher than the other legs to level out the stand on uneven terrain or even stairs. The Kupo 20″ Master C-Stand rises to a maximum height of 198cm.

    Also included in the kit is one Grip Arm (either black or silver) and one 2.5″ Grip Head, again either black or silver as determined by the kit ordered.

  • Sydney Camera Hire’s 20″ Master C-Stand with Sliding Leg Kit (black) is a steel lighting support “C” stand composed of two legs that are spring loaded to open in fixed positions while the third leg is height adjustable by loosening the knob and sliding it up and down the main riser section. This enables the user to raise one leg higher than the other legs to level out the stand on uneven terrain or even stairs. The Kupo 20″ Master C-Stand rises to a maximum height of 198cm.

    Also included in the kit is one Grip Arm (either black or silver) and one 2.5″ Grip Head, again either black or silver as determined by the kit ordered.

  • Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.

    Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.

  • Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.

    Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.

  • The Kupo 485 Heavy Duty Wind-Up Stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 140cm through to 270cm. The elevation per handle turn is 4.4cm, making it possible to lift up to an 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s heavy duty wind-up stands are constructed from a combination of chrome plated steel and stainless steel, with dual risers that extend from 179cm through to 386cm. The elevation per handle turn is 4.4cm, making it possible to lift leavy equipment, up to 80kg load, with a single operator. The unique automatic self-locking mechanism is designed to prevent the light stand from dropping unexpectedly, making the operation safer.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

  • Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting ​at full height due to its strength and large 140cm footprint diameter for great stability.

  • Sydney Camera Hire’s Nanlite Forza 60C Colour Adjustable LED is a monolight style light fixture with remarkable light output relative to its size, which comes complete with  a battery handle and Bowens mount adapter.

    The Nanlite Forza 60C innovatively adopts the RGBLAC six-color mixing technology: integrating additional LED beads of Lime/Amber/Cyan into the traditional RGB light source to fundamentally solve the problem of incomplete colour spectrum of light and the near-daylight spectrum is achieved as well.

    Sydney Camera Hire are excited to offer the Forza 60C for hire because units saturation strengthens significantly for colours other than RGB in HSI mode, which means that the Forza 60C can have a cutting edge on-color renditions over other RGB/RGBW/RGBWW fixtures. Full spectrum, wider colour gamut, more accurate color reproduction and more subtle light/colour quality in low saturation can all be delivered.

    Ultra Bright Output

    The 60C employs a COB LED module to output 12810 Lux at 5600K at 1 meter, close to the 13830 Lux of the Forza 60B. With with dimming from 100% down to 1% you can quickly adapt the Forza 60B to any scene without adding ND filters or diffusion.

    Mini Mount system

    The Forza 60C has a mini mount, which allows you to use all Forza 60 modifiers. The included Bowens adapter will allow you to attach standard Bowens modifiers, making the Forza 60C compatible with a massive selection of light modifiers, including but not limited to NANLITE’s line of softboxes projection mounts, and lanterns.

    Lightweight Compact Design 

    Created to eliminate the difficulties of travelling with large light fixtures the Forza 60C weighs only 1.08kg (not including reflector) and is compact enough to be easily packed into your camera bag.

    Practical Effects 

    The Forza 60C includes 15 different practical lighting effects — HUE Loop, CCT Loop, INT Loop, Flash, Pulse, Storm, TV, Paparazzi, Candle/Fire, Bad Bulb, Fireworks, Explosion and Welding. All of these are designed to enhance your work and save you time creating complex lighting scenarios.

    Power Anywhere 

    Optimized for use in the studio or on location, the Forza 60C can run off either the included AC adapter, the included NPF battery handle using 2 x Sony style NP-F batteries (not included). It can also be powered by an optional D-tap cable plugged into a 14.8V V-Mount battery, or the Optional V-Mount battery handle. With so many power options, you can operate in any location regardless of power availability.

    Silent Cooling system

    The Forza 60C is equipped with a 60,000 hours lifetime rating. Ensuring the fixture performs at its best for longer. Emitting a low 20dB audible output at full power, it is at home in even the most sound-sensitive situations. Forza 60C also supports turning off the fan to achieve complete silence at lower power outputs.

    Battery Handle Included

    Operate the Forza 60C with the convenient BH-FZ60 battery handle, and power the light from 2 x NPF Batteries (available separately) Use the Forza 60C with light modifiers that use the common Bowens mount using the included  AS-BA-FMM adaptor.

     

  • Ideal for use overhead or to raise the ambient illumination level, the Nanlite Lantern 120 Softbox combines the omnidirectional light quality of “China Balls” with the durability and portability of a modern softbox.

    Utilizing a 47″ spherical design, the Nanlite Lantern 120 has a broad 270° beam angle, allowing film makers to spread light in all directions and fill your set with soft, even light.

    The Nanlite Lantern Softbox from Sydney Camera Hire includes a light control skirt set, which can be quickly attached to control the 270° beam spread and can also be rolled up or down to flag off unwanted light.

    The Lantern 120 features an Easy- Up speed ring with spring-loaded rod locks. Quickly snap the rods into place to set up the lantern and then release them at the touch of a button for break down.

    Created to be compatible with Nanlite’s Forza Series LEDs, the Lantern 120 utilizes a Bowens Style Speed Ring. This near-universal light modifier mount expands compatibility to an extensive range of LED, strobe, and constant lights.

  • Sydney Camera Hire’s Nanlite Pavotube II 30X Tube light kit will let your creativity run wild. The new model of Pavo tubes now encompass pixel control, giving creatives endless ways to light. Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from  2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs.

    It also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice.  Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity.

    With easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation.

    The housing has been upgraded to a robust metal housing, giving more confidence with your lighting.  New and improved LED display and soft buttons make the unit much easier to use.

    Supplied in hard carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall.

    Sydney Camera Hire’s Pavotube’s have octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.

  • The NANLUX Dyno 650C from Sydney Camera Hire is a RGBWW LED softlight that brings film makers the ultimate blend of output and control.

    Powerful and soft, with an ultra-wide beam angle, the super strong Dyno 650C some of the brightest LED softlights available, which are becoming hugely popular on American film and television sets.

    Developed specifically for movie, TV,  broadcast and media applications, these latest additions to the NANLUX range of professional LED solutions provide you with complete control and exceptional levels of consistent, quality light.

    Fully tuneable between 2700K and 20000K (2649lux/5596lux@3m 5600K) the Dyno Series offers the one of the highest output and widest colour temperature of any comparable LED softlight currently available. Using state of the art software and hardware, the Dyno 650C from Sydney Camera Hire provides precise colour and flicker-free, stable output.

    Sydney Camera Hire’s Dyno 650C provides a correlated colour temperature range between 2700K and 20000K. Precision control over green/magenta to achieve accurate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sources.

    The Dyno Series has a choice of four colour modes: HSI, RGBW, Gel and XY allowing film makers to to precisely control the mixing of hue, saturation and intensity, plus individual RGBW control over red, green, blue and white. Selection is simple using the built-in LED screen for reference.

    Choose from 15 pre-programmed practical effects, all fully customizable and featuring a convenient ‘save and playback’ function.

    ate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sourc

  • Sydney Camera Hire’s Nalux Evoke 1200B adopts 2 x 1200W LED chips in dot matrix form as its light source, providing a impeccable beam in the same category.

    The Evoke 1200B is renowned for its remarkable light efficiency, outputting up to 18,570 lux@3m 5600K with 45° reflector, beating 1.8K HMI Par or 2.5K fresnel with the ability of changing CCT in a twist. The Evoke 1200B also has an impressive flicker-free function making it the perfect companion for high speed cinematography.

    With advanced Bi-Color light mixing technologies ensures Sydney Camera Hire’s Nanlux Evoke 1200B has continuity and accuracy in CCT change from 2700K all the way up to 6500K. The CCT adjustment is easily made at the turn of a knob, making CTO/CTB gels a thing of the past. The Nanlux Evoke 1200B also offers way more flexibility in filmmaking by simulating natural light from sunrise to daylight to sunset. Furthermore, the incorporated constant output functionality supports through range CCT tuning without any intensity shift at all.

    The Evoke 1200B’s whole-fixture is IP54 rated in a hermetically sealed structure to withstand inclement weather or extreme conditions, no matter it’s rain, snow or dust. The protection for power supply is enhanced to the same rating for more practicality, meaning the whole unit can stand side by side as long as the camera could work, rainforest, snowberg or even in sandstorm.

    Dimming is fine-tuned from 0-100% in 0.1% increment with great smoothness, and the sudden jump in low output section between 0-1% is eliminated. Five dimming curves available via DMX control to perfectly match exacting control request of industry standard: LINEAR, EXPONENT, LOGARITHM, S CURVE, GAMMA 2.2.


Showing 1–16 of 18 results