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  • Sydney Camera Hire’s Nalux Evoke 1200B adopts 2 x 1200W LED chips in dot matrix form as its light source, providing a impeccable beam in the same category.

    The Evoke 1200B is renowned for its remarkable light efficiency, outputting up to 18,570 lux@3m 5600K with 45° reflector, beating 1.8K HMI Par or 2.5K fresnel with the ability of changing CCT in a twist. The Evoke 1200B also has an impressive flicker-free function making it the perfect companion for high speed cinematography.

    With advanced Bi-Color light mixing technologies ensures Sydney Camera Hire’s Nanlux Evoke 1200B has continuity and accuracy in CCT change from 2700K all the way up to 6500K. The CCT adjustment is easily made at the turn of a knob, making CTO/CTB gels a thing of the past. The Nanlux Evoke 1200B also offers way more flexibility in filmmaking by simulating natural light from sunrise to daylight to sunset. Furthermore, the incorporated constant output functionality supports through range CCT tuning without any intensity shift at all.

    The Evoke 1200B’s whole-fixture is IP54 rated in a hermetically sealed structure to withstand inclement weather or extreme conditions, no matter it’s rain, snow or dust. The protection for power supply is enhanced to the same rating for more practicality, meaning the whole unit can stand side by side as long as the camera could work, rainforest, snowberg or even in sandstorm.

    Dimming is fine-tuned from 0-100% in 0.1% increment with great smoothness, and the sudden jump in low output section between 0-1% is eliminated. Five dimming curves available via DMX control to perfectly match exacting control request of industry standard: LINEAR, EXPONENT, LOGARITHM, S CURVE, GAMMA 2.2.

  • Incredible Illumination Output

    With a rated power of only 2400W, Sydney Camera Hire’s Nanlux Evoke 2400B delivers outstanding efficiency as an LED, resulting in powerful light output beyond
    the 4KW HMI or 10KW Tungsten.

    Compared to traditional light sources, Sydney Camera Hire’s Evoke 2400B’s distinct advantages include no preheating or cool-down time delay, flicker-free,
    0.0%-100.0% dimming and adjustable color temperature allowing
    for greater flexibility, making lighting setups easier and more efficient.
    Making changes during shooting sessions is now effortless and time-saving.

    Magnesium + IP55 = Lightweight & Rugged

    The Nanlux Evoke 2400B from Sydney Camera Hire continues to employ the rugged and durable metal construction design of the Evoke family, with IP55 rating for both
    lamp head and power supply. Magnesium alloy is innovatively utilised on the Evoke 2400B for a ideal strength-to-weight ratio, together with structural optimisations, enabling it to be a lighter fixture body than other lights that with the same power output.

  • Featuring advanced controls with RGBLAC capability, Sydney Camera Hire’s Evoke 900C RGB LED Spot Light by Nanlux is a powerful yet compact fixture with an impressive colour temperature range and beam spread of 60°. Its variable 1800 to 20,000K CCT allows you to use it on interiors, exteriors, and mixed lighting environments.

    The Evoke 900C is dimmable from 0 to 100% in ultra-precise increments of just 0.1%. Besides incorporating lime, amber, and cyan LEDs, the light offers high CRI/TLCI ratings of 96 as your assurance of accuracy in colour rendering.

    The Nanlux Evoke 900C is a 940W from Sydney Camera Hire is a perfect solution for studio productions because it can be plugged into a standard AC outlet.  However, it can also run on an optional DC battery source when mains current is unavailable. This kit comes with a yoke, a 45° reflector, and a super clamp. A trolley carry case is supplied as well for easy portability, making it a complete lighting solution.

    One of the many benefits is a library of 15 special effects, including HUE loop, CCT loop, INT loop, flash, pulse, storm, police car, TV, paparazzi, candle/fire, disco, bad bulb, fireworks, explosion, and welding.

    With a robust construction and a practical design, this 13 x 9.5 x 8.3″ fixture is rated IP55 for weather resistance, so you can use it outdoors or in wet weather.

  • Whether you are mounting a 10K Fresnel 430cm in the air or you are flying a 6m x 6m Butterfly frame, Sydney Camera Hires overhead roller stands are ready to meet your needs.

    Each riser is spring cushioned as a safety feature to protect lighting fixtures from a sudden drop if the locking collar becomes loose. The solid steel construction has a maximum load capacity of 40kg and is equipped with braked casters to easily reposition heavy loads. Each caster is equipped with a peg that extends past the wheel allowing it to stand upright when collapsed. The Medium Roller Stand also features a 4-1/2″ grip head with additional offset 1-1/8″ junior receiver.

  • An undeniable game changer from Red Digital Cinema, the The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera that is not a lot larger than the KOMODO with a new 8K sensor. The V-RAPTOR’s RF lens mount is compatible with a range of adapters, allowing cinematographers to shoot  with PL and EF lenses.

    Equipped with 17+ stops of dynamic range,  dual 12G-SDI outputs, and 16-bit REDCODE Raw at much higher frame rates than the DSMC cameras, means the Red Digital Cinema V-Raptor 8K VV can tackle any production you throw at it.

    Featuring a new 35.4MP full-frame sensor 17+ stops of dynamic range, the RED Raptor excels in low-light and has the lowest noise floor of any cinema camera in the RED lineup.
    When it comes to high speed shooting, the RAPTOR is in a class of its own and is capable of 8K 17:9 at 120fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps and 2K 2.4:1 up to  600 fps.
  • The RED DSMC2 DRAGON-X features the award-winning RED DRAGON sensor, with IPP2, delivering 6K cinematic images in a Super 35 format.  Featuring 19.4 Megapixels CMOS sensor, the RED DRAGON-X sensor produces softer skins tones, stunning primary colours with improved noise control and low-light performance, which allows for the ISO to be pushed to 2000 ISO while still produce super footage for the big screen.

     

  • Sydney Camera Hire is excited to hire the RED Komodo 6K.  Weighing only 900 grams and fitting in the palm of your hand, the RED Komodo comes with a Canon RF Lens mount, 19.9MP Super35 CMOS Global Shutter sensor and 16+ stops of dynamic range.

    Featuring a game changing rolling shutter, Sydney Camera Hire’s RED Komodo can record 6K at 40 fps, 5K at 48 fps, 4K at 60 fps and 2K at 120 fps in Redcode RAW.  Using CFast 2.0 media, the RED Komodo provides data rates up to 280 MB/s.

    The RED Komodo’s RF-style mount has a shallow flange depth allows the camera to be adapted to most other popular mount types such as PL, EF, and Leica M with some mounts offering ND filtration.

    A first for Red is the ability to use Phase-Detect Autofocus with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter.

    When it comes with ports and connections, The RED Komodo features an integrated stereo microphones and a 3.5mm input for audio. Also, an EXT port provides Genlock, timecode, GPIO and RS232. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2.

  • Sydney Camera Hire’s RED KOMODO X features ground breaking new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform.  Featuring a next generation global shutter RED’s KOMODO X features a completely overhauled sensor with exciting new pixel design delivering improvements in detail and colour in shadows.

    RED KOMODO X’s expanded I/O includes updated monitoring capabilities with support for DSMC3 touch LCD, built-in USB type-c, as well newly engineered audio hardware, including a locking +48V audio connector with improved preamp.

     

    Providing cinematographers with the ability to capture 6K at 80fps, Sydney Camera Hire’s KOMODO X can shoot 120fps in 4k thanks to the new sensor design and processing, as well as having support for CF Express cards.

    Production ready, Sydney Camera Hire’s Komodo X continues the small form factor legacy but now with more advance I/O options, allowing for more professional monitoring, cabling and power as well as expanded capabilities like RED connect.

     

  • Sydney Camera Hire’s rickshaw dolly is lightweight and portable, and is designed for use with 3-axis Camera Gimbal, Handheld, and Steadicam setups. It enables the camera operator to be pushed/pulled by a grip to capture complicated shots.

    The hydraulic twin shock absorbers used on both sides of Rickshaw reduce shocks and provide stabilised shots, making it suitable for smooth or rough surfaces.  The seat configuration allows you to have a long follow on the flat surface and then transition on to an uneven surface by stopping and having the operator walk away from the Rickshaw all in one continuous shoot.

    The seated position also allows the operator to position the camera to reach floor level for ultra-low shots. The hydraulic seat offers 360-degree movement, height adjustment and four back & forth positions on the platform.

    The main wheels feature 3 height adjustment points for adjusting ground clearance at 5” or 6” or 7” that allows the user to adapt the height corresponding to the rough and bumpy roads.

    Telescopic Handle with length range from 32”- 54” allows ease of handling to the operator. The platform has 10mm threaded holes and free holes for mounting cheese plate or other accessories. The rickshaw supports 42mm speed rails to install a shock absorber arm with 3-Axis Gimbal.

    You can also remove the seat, and mount a 50mm scaffold pole to the platform, to mount compatible gear.

  • Sydney Camera Hire’s Sennheiser EW 100-ENG G3 lapel microphone set offers a great amount of flexibility for portable recording indoors or outdoors. Add on a SKP 100 G3 plug-on transmitter and you can transform XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button.

    A very small high-quality directional clip-on microphone completes this set, making it a solid and reliable workhorse in the field or the studio.

    Contact rental@sydneycamerahire.com.au

  • Industry workhorses, Sydney Camera Hire’s Sennheiser EW 100-ENG G4 lapel microphone kits are rugged and reliable broadcast quality sound solutions. which provide highest flexibility for your video sound and field recording applications.

    A robust wireless microphone system that offers excellent sound quality, simple mounting and ease of use.

    Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy to use clip-on microphone ME 2-II (omni-directional) offers excellent speech intelligibility during interviews.


Showing 81–96 of 110 results